Clenched fists don’t make political theatre

Eurozine Review 12/2020

Antisemitism and postcolonialism

Merkur 7/2020

Wild west genetic engineering

New Humanist 2/2020

Husserl in Moravia

Kritika & Kontext 58 (2020)

Situating populism

Critique and Humanism 51 (2019)

Clenched fists don’t make political theatre

Dialogi 3–4/2020

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In Dialogi, outgoing Vienna Volkstheater director Anna Badora talks to Blaž Gselman about clashes between the theatre’s remit to innovate and its commitment to cater to a traditional Viennese theatre-going public:

‘In a city like Vienna, there is still a class that calls itself leftwing. And when you put a red star on the roof or a clenched fist, and put on a production saying: “we’re the heroes!” and “the evil capitalists”, then you’re always very successful with this class. But I find that outdated. Right and left have changed, and that is why the left are in trouble today. Because they hold on to certain clichés that are outdated.’

‘When we came, we thought that our way of thinking was genuinely leftwing. But often it wasn’t to the liking of what are sadly very entrenched social structures. It’s all about who belongs to whom. Whoever thinks in a more nuanced way falls between two stools. But this nuanced thinking, or rethinking, is what we need today – not just in the theatre but in society. Without it, we won’t make it. Without it, there is no future. Clenched fists don’t help much anymore.’

Walkouts

Matic Majcen sees actress Adele Haenel’s high-profile walkout of the French Césars in February – a protest against convicted sex offender Roman Polanski winning Best Director – as a key moment the global #MeToo movement. Afterwards, the entire board of the César Awards resigned, promising future reforms and modernization. Their action illustrates ‘the effect of informal punishment in a symbolic moment of absolute rejection’.

Punditocracy

Ksenija Vidmar Horvat considers the commentariat’s negative impact on science’s reputation; Dejan Jontes connects changing perceptions of journalistic objectivity with the rise of politician-experts on Slovenian TV; Bojan Musil and Nejc Plohl show how pseudoscience’s exploitation of advertising affects psychology and psychotherapy; and Tadej Praprotnik investigates how media visibility has become an indicator of individual competence.

More articles from Dialogi in Eurozine; Dialogi’s website

This article is part of the 12/2020 Eurozine review. Click here to subscribe to our weekly newsletter to get updates on reviews and our latest publishing.